Part 2 of my Spotlight series on solo clarinet works by women composers takes a look at For an Actor: Monologue for Clarinet, by Shulamit Ran.
Immediately, For an Actor is set apart from most solo clarinet repertoire due to its instrumentation – Ran calls for the instrument in A, rather than the much more common B-flat clarinet. On a side note – I love playing the A clarinet, and I wish it would be called for more frequently by contemporary composers. While some composers allow either, such as in Augusta Read Thomas’s D(i)agon(als), few ask for it specifically. To my ear, Ran’s choice gives the piece a slightly darker tone than it would otherwise have.
Continue reading “Spotlight: For an Actor – Shulamit Ran”
On November 30 at Bread and Salt in San Diego, I’ll be performing a concert as part of Figmentum. Titled “Shapes and Sounds”, we’ll be presenting several open and graphic scores as well as premiering a new piece by Daniel Meyer-O’Keeffe. You can check out the full details at the Facebook event here, or at the Eventbrite listing here.
The program will kick off with my piece Wanderings (B), a score for any number of performers (though it seems like it would work best with small chamber set ups – we’ll be performing it on three toy pianos surrounding the audience).
Continue reading “Figmentum No. 3: Shapes and Sounds”